Sarah Vaughan (1944) FIRST RECORDING [NIGHT IN TUNISIA]

The first recording of "Night In Tunisia", originally introduced under the title of "Interlude" with lyrics courtesy of Sarah Vaughan and Anita O'Day. Performed by Sarah Vaughan and Her All-Stars, featuring Dizzy Gillespie - trumpet, Aaron Sachs - clarinet, Georgie Auld - tenor saxophone, Jack Lesberg - bass, Chuck Wayne - guitar, Leonard Feather - piano, and Morey Feld - drums. Recorded December 31, 1944 in New York City for Continental Label Records. The JGC History series features specifically curated playlists to help trace the lineage of some of the most influential jazz compositions of all time. Join me on Patreon for Lead Sheets, Play-Alongs, Transcriptions, Lessons and much more: https://www.patreon.com/jazzguitarcomprehensive Some notes about the composition as found on https://www.jazzguitarcomprehensive.com/ Composer: Dizzy Gillespie Year: 1942 Origin: Introduced by Sarah Vaughan in 1944 as "Interlude". Style: A combination of straight and swing feels, typically played at brighter tempos. Form: A-A-B-A (32 Bars) [8-8-8-8] The A sections are played straight with the exception of the final 2 bars, while the B section is swung. This arrangement is commonly used for the head only, with the solo section entirely swung. Intro: The bassline that moves from bII7 - Imi6 is usually used to begin the performance, and there is also a counter-melody that goes along with it. Send-off: After the head in a 12 bar send-off is used to lead into the solos. This is then followed by a solo break which is commonly 4 bars long. It is typically only used the first time around, although it is sometimes used to introduce each new soloist. This section is played entirely swung. Shout Chorus: After all the melodic soloists are finished a shout chorus is sometimes included. The shout is played during the A sections while the B section is left open to the drummer. Sonny Rollins offers a concise interpretation of this arrangement on his recording from A Night at the Village Vanguard. Key: D minor Harmony/Overview: The harmony of this composition is mainly functional. The main theme revolves around the constant arrival of bII7 - Imi, which is essentially V7alt - Imi (tri-tone substitution). The bridge is identical to that of "Alone Together", taking place in the relative Major and moving from II - V of II before a II - V - I. Recordings: This song has been recorded over 400 times to date and is a widely popular standard. The first recording comes from Sarah Vaughan in 1944 and was originally entitled "Interlude", featuring lyrics written by Sarah Vaughan and Anita O'Day. One of the earliest instrumental recordings of Dizzy Gillespie performing the piece comes a 1945 session with Boyd Raeburn and his Orchestra. Dizzy would later record and perform this piece many times throughout his career, leaving behind several particularly inspired recordings. JGC Top Picks: Sonny Rollins, A Night at the Village Vanguard, 1957 McCoy Tyner, Today and Tomorrow, 1963 Dave Liebman, Besame Mucho and Other Latin Jazz Standards, 1993 Please consider supporting this channel through a donation, https://www.paypal.com/paypalme/jazzguitarc You can also support me on Patreon for much more musical content, https://www.patreon.com/jazzguitarcomprehensive Be sure to subscribe to my main channel: https://www.youtube.com/channel/UCsHefbnzId7of6XcFJWh8UQ As well as my second channel for Play-Alongs and Loops: https://www.youtube.com/channel/UCPZJrGlk1zNvczjpbNbyOiA The World's Premier Site for Jazz Guitar Education and Beyond https://www.jazzguitarcomprehensive.com/ DISCLAIMER: This video has been uploaded for educational purposes and is protected under fair-use. This channel will never be monetized and any ads are run solely on behalf of the rightful copyright owner. #SarahVaughan #NightInTunisia #DizzyGillespie